(For Miranda and her changed tastes.)

Members

Carissa’s Wierd was active from the late 1990s until 2003. The constant core of the band consisted of Mat Brooke (vocals and guitar), Jenn Ghetto (vocals and guitar), and Sarah Standard (violin). Their most frequent drummer was Ben Bridwell; Jeff Hellis regularly played keyboards and accordion. Other performers listed on album or song credits include Gilden Tunador (keyboards), Robin Perringer (drums), Sera Cahoone (drums), Thomas Wright (tour drums), Sam Beam (backing vocals), and Creighton Barrett (tour drums?).

Albums

CW recorded three conventional-format studio albums: Ugly But Honest, You Should Be at Home Here, and Songs About Leaving. In support of a summer 2003 tour, they produced a rarities collection, sold at their concerts: Scrap Book, which includes ncludes four inspired new songs, and five covers, two remixes, and a demo, all uninspired. After returning to Seattle at the end of the tour and announcing plans to disband, they played a farewell show at the Crocodile Cafe in November 2003. Nine songs from that set, along with three further unreleased studio recordings, were assembled into I Before E.

Bootlegs, Singles, and Rarities

An unknown fan taped CW’s sow in Omaha during the 2003 tour. There are a few moments of feedback and some loud chatter, but the audio quality is generally good and the performances strong.

“You Should Be Hated Here” (from You Should Be At Home Here) was released as a 7”; the B-side was a cover of Morrisey’s “Suedehead.”

Other songs by CW kicking around on various compilations include a cover of Suede’s “Digging a Hole” a cover of Avril Lavigne’s “Complicated,” and an original(?) song entitled “Where Are You Now?.”

CW played a live four-song set on KEXP in 2002 and KEXP taped a live performance from the Capitol Hill Block Party in 2001.

Jenn and Mat performed as guest artists on a rem-mix of The Six Parts Seven’s “On Marriage.”

YouTube has live versions of “Sympathy Bush” and “One Night Stand” (Jenn and Mat), plus the otherwise unavailable “Winter in Sea.”

Other Projects

Mat Brooke and Ben Bridwell founded Band of Horses (originally just Horses), by far the most prominent band in the Carissa’s Wierd ecology. Their first album, Everything All the Time, has much a stronger rock sound than CW’s work. Band of Horses then relocated to South Carolina, minus Brooke. Their second album, Cease to Begin, shows essentially no traces of any CW influence.

Mat then founded another band, Grand Archives, which released the eponymous The Grand Archives in 2008. The band’s sound is hard to characterize, as it changes substantially from song to song. “Sleepdriving” could almost be a CW song; others, others, such as “The Crime Window,” and “Miniature Birds” seem to come out of an entirely different musical universe, one that has a horn section and major keys. Guest performers on individual songs include Jenn and Sarah.

While working with CW, Jenn Ghetto also pursued a solo project, S. Her 2001 album, Sadstyle, features the distinctly lo-fi self-recorded solo guitar/vocals aesthetic familiar from early CW songs like “Blankets Stare.” The lyrics are confrontational and confessional; the overall effect is harsh, intimate, and sometimes affecting. Her second album as S, Puking and Crying, goes even further into electronics and tape-effects territory.

Sera Cahoone, sometime drummer for CW, Band of Horses, and Grand Archives, has released two albums under her own name: Sera Cahoone and Only as the Day Is Long. They’re both warm, quiet, and soothing, featuring a small acoustic ensemble with a slightly country twang.

In addition to supporting guest work for Sera Cahoone and Grand Archives, Sarah Standard has performed for the electronica group Plan B.

Shorter New York Times Magazine (Michael Sokolove, Hurt Girls):

Compared with the “normal” rate of injury for boys who play sports, girls who play sports get hurt a lot. Umm, I mean compared with the rate for boys who play sports other than football. Girls tear their A.C.L.s five times as often as boys. Ouch. Tear tear tear. Why are we letting girls play sports when they’ll regret it later?

The article also points out that studies have shown that doing specific warm-up exercises cuts the risk of A.C.L. tears between four and ten times—that is, to a rate somewhere possibly as low as half that for boys. But it proceeds to dismiss this possibility, because “It’s hard to fight for equal rights while also broadcasting alarm about injuries that might suggest women are too delicate to play certain games or to play them at a high level of intensity.”

Why, oh, why can’t I have a New York Times that doesn’t make me want to throw the magazine section against the wall every time it writes about sex, gender, or feminism?

• Grand Theft Autobot
• Grand Theft Autoclave
• Grand Theft Autonomous Region
• Grand Theft Otter
• Grand Theft Autoharp
• Grand Theft Auteur
• Grand Theft Audubon
• Grand Theft Tugboat
• Grand Theft Oxbow

I’ve just looked over the program for this year’s Computers, Freedom, and Privacy. This’ll be the first one I’ve gone t. For a long time, I thought of it as a place where epic things happened, something I might someday aspire to attend. So when Frank asked me to be on a panel proposal he was putting together, I thought, “That sounds like fun, but I’m not even worthy to attend CFP yet.”Well, long story short, we’re on the program, so I’m going, and it’s a bit of a rush.

In addition to our own panel — Rights & Responsibilities for Software Programs?, the program looks great. Among the highlights:

• Frank has another panel, Privacy, Reputation, and the Management of Online Communities, with a line-up of supersmart Young Turks of Internet Law.
• I almost wish I didn’t have to present, because at the same time as my own panel is another neat-sounding one on :charismatic content.”
• The first day includes the usual tutorials, including the disturbing-sounding E-Deceptive Campaign Practices: Elections 2.0
• A ten-year retrospective on David Brin’s The Transparent Society.