The Official Laboratorium Jellyfish

The Laboratorium has been brought to you since 2000 by James Grimmelmann. Here's some information about the site and here's my disclosure statement.

Recent Comments

john walker, on Privacy as Product Safety, “Fran I understand that the various national spy agencies do exactly that…”

Frances Grimble, on Privacy as Product Safety, “Douglas, It’s already technically possible to mine the data that goes through…”

Douglas Fevens, on Privacy as Product Safety, “James, the city of Madison, Wisconsin is vying for the “Google Fiber…”

Douglas Fevens, on GBS: Interesting Points from UW-Madison's Letter, “I see where the Capital Times has made “Q & A with…”

Frances Grimble, on Privacy as Product Safety, “Gillian, Amazon has a similar policy regarding reader-posted content, and Yahoo at…”

john walker, on Books in the Age of the iPad, “I think that books will continue as a viable hard copy format…”

Frances Grimble, on Books in the Age of the iPad, “Sally, I like (some) graphic novels too, but they have been published…”

Sally Canzoneri, on Books in the Age of the iPad, “John, Do also take a look at Jean Gralley’s work too. I…”

James Grimmelmann, on GBS: On Declarations, “An opt-out or objection letter could also contain information; many of them…”

Diana Kimpton, on GBS: On Declarations, “Thanks, James. That’s very helpful. So could anyone have submitted a declaration…”

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Old Sideblog Archive


Pondering Potter Archive

A very effective indie game, with simple play mechanics and a remarkable sense of ominous terror.

It occurs to me that the 8-bit aesthetic means something very different now than it did when 8-bit was state-of-the-art. Today, it’s s deliberate deign choice, one that embraces constraint in the name of artistic experimentation. Not coincidentally, it also brings the project back within the scope of the realistic for a single inspired auteur—a bit like a student film.

Im sure its great but On Our crappy bandwidth its like watching paint dry.

Finally got to see a bit of it . Not bad its got Directness.

Eugène Delacroix

if you cant draw a man in the time it takes him to fall from the third floor of a building: you cant do the big machines

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