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Recent Comments

john walker, on Books in the Age of the iPad, “From IP property watch Interview With Bill Pollock, Founder Of No Starch…”

john walker, on Privacy as Product Safety, “Fran I understand that the various national spy agencies do exactly that…”

Frances Grimble, on Privacy as Product Safety, “Douglas, It’s already technically possible to mine the data that goes through…”

Douglas Fevens, on Privacy as Product Safety, “James, the city of Madison, Wisconsin is vying for the “Google Fiber…”

Douglas Fevens, on GBS: Interesting Points from UW-Madison's Letter, “I see where the Capital Times has made “Q & A with…”

Frances Grimble, on Privacy as Product Safety, “Gillian, Amazon has a similar policy regarding reader-posted content, and Yahoo at…”

john walker, on Books in the Age of the iPad, “I think that books will continue as a viable hard copy format…”

Frances Grimble, on Books in the Age of the iPad, “Sally, I like (some) graphic novels too, but they have been published…”

Sally Canzoneri, on Books in the Age of the iPad, “John, Do also take a look at Jean Gralley’s work too. I…”

James Grimmelmann, on GBS: On Declarations, “An opt-out or objection letter could also contain information; many of them…”

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Old Sideblog Archive


Pondering Potter Archive

Lightning round. On another day, I might have chosen a set disjoint with this one.

  • Johannes Brahms, “Denn alles Fleisch es ist wie Gras,” Ein deutsches Requiem (perf. Harvard-Radcliffe Orchestra), Sanders Theater, Cambridge, MA.
  • The Magnetic Fields, “The Book of Love,” Northampton, MA.
  • Carissa’s Wierd, “Some Days Are Better Than Others,” Graceland, Seattle, WA.
  • Jason Webley, “Train Tracks,” The Internet Cafe, Red Bank, NJ.
  • Jean Sibelius, “Kullervo ja hänen sisarensa,” Kullervo (cond. Colin Davis), Avery Fisher Hall, New York, NY.